Sunday, September 7, 2014

Book in progress

After an extremely busy back-to-school period at work, I finally found some time and energy for art.

You may recall I'm participating in two different collaborative art journal round-robins. I've had Mandy's book for a month, and was supposed to mail it out by September 1st,  but I just couldn't get out of my own way.
Finally, here it is, a week late.

Since this is a collaborative project, some of these pages are things I'd consider invitations for my partners to work on.  Other pages were already started when I received the book, and I added to them.  Mandy chose a 1962 math text book as her journal.  You can see equations in the background on most of these pages.

This first one arrived with a painted background and random reptile limb.  I added the vacuum cleaner.

Here's a page I started from scratch. The face is "found art" from my blotter paper that I cut out and glued here.
How well can you compute?

Lynn made the background on this one:

A strange invitation for Gina or Carroll to alter.

A simple scrap collage.  I suppose it could stand on its own, but additional elements are welcomed and encouraged in this group.

 Cracking myself up with this one:
(the text says "do not bother with names")

The more I look at this one, the more I like it.

I already have Carroll's journal in my possession, with three weeks to work in it.  I feel like the past few days with Mandy's book has built a momentum - perhaps Carroll's will go out in the mail early!
(those of you who know me, can all stop laughing now.)

I don't think I ever posted the work I did in Lynn's book back in July.  I'll save that for another day.

Friday, August 1, 2014

Every day but the 4th of July

And so another year of ICAD draws to a close.
I remembered to make art 60 of the 61 days, (curse you national holiday for throwing me off my game!) and ended with a stack of 86 cards.

Here are the last of them for your viewing pleasure....

These two were "oh crap, I'm so busy packing for vacation I almost forgot to make art" cards.
Thankful, yet again, for the stack of gelli-printed index cards on my table.


The first of the vacation cards came after a full day of packing, driving, unpacking, grocery shopping, and hugging family members as they arrived in shifts.  It also used the last of my pre-painted index cards.

Monday's was a quick scrap-bag collage sandwiched between swimming, card games, jigsaw puzzles and trashy novels.

These next four are part of the great "UVA" experiment. (My niece is headed off to the University of Virginia in a few weeks and is commissioning a piece of art for a customized iPhone case that will look "UVA-ish")  I pulled out the gelli plate and paints and stamps and such and had an extended art session experimenting with appropriate shades of blue and orange.
7-29-14 (1)

7-29-14 (2)

7-29-14 (3)

7-29-14 (4)

 Those experiments will continue, but in the meantime I was happy to return to my usual palette on Wednesday:

Last night's card resorted to the quick scrap collage once more, as all nine of us were sitting down to watch "Tim's Vermeer" and I might have been voted off the island if I'd kept up the snipping, rustling and crinkling.  
(The movie was wonderful and fascinating and I highly recommend it)
My hope, now that ICAD is over, is that I will use my remaining 9 days of vacation to make and send some mail art to the dozens of people on my "respond" list.
Perhaps I can find a few minutes in between the pie-eating and nap-taking.

Thursday, July 24, 2014

This week's theme? Too hot for art.

Well, not literally too hot for art since I still managed to make an index card every day, but the last several days have been uncomfortably hot and sticky in my studio, and my cards reflect it.
Four of the seven cards were made on pre-printed backgrounds. Most relied heavily on the scrap basket.
The annual ICAD challenge completely validates my compulsive saving of every pretty little scrap.
It's also put me in the habit of wiping (scraping, rolling, printing) all leftover blobs of paint onto index cards, because you never know when it will come in handy. Without these strategies, I would probably give up on the challenge in the first week every year.

Here are my cards from the past few days.
This one features a gelli printed background (bonus prints from a session of envelope-printing last weekend), a scrap of text, and some scribbles with a pen.

This next one was made around 12:30 AM, after a 5 1/2 hour reading session, in which I finally f-ing finished the last 250 pages of "The Goldfinch" just in the nick of time for book group. I was bleary eyed, and a little resentful.

Tuesday brought another gelli printed postcard, with stickers from Gina, and a cool stamp cut from an envelope that had gotten wet in the mail, and made the ink all smudgy. For the text, I grabbed a large-print book, closed my eyes, opened a page at random and pointed my figure to the page.  When I opened my eyes I was pointing to the word "good."
7-22-14 (1)
 And since I had out my box of random stickers, I decided to make a whole index card using only stickers from Gina.  (Thanks, G!)
7-22-14 (2)

Yesterday was the worst of the heat.  I took the scrap basket down to the air conditioned living room and pushed bits of paper around in ways that pleased me, then glue-sticked them into place.  (or would that be glue-stuck?)
7-23-14 (1)

7-23-14 (2)

Tonight:  another gelli-printed background and some stamped tissue paper from my stash.  Done in 2 minutes.
Two more days until I am lakeside in Maine.
I expect it will be cooler there.
It will definitely be more relaxed.
I wonder how much of the car will be taken up with art supplies this year?

Saturday, July 19, 2014

This time I meant it

Unlike my purple, red, black and white string of index cards, this latest group of cards was intentionally developed as a series.

I'm hosting an "asemic writing" postcard swap and it inspired me to practice this form of wordless writing on a bunch of blank index cards and transparency scraps.  Those practice pieces have shaped my ICAD compositions for the last few days.  Each day built upon the previous day's work.

Here's the whole bunch.  I made 7 cards over 4 days.

7-16-14 (#1)

7-16-14 (#2)

7-17-14 (#1)

7-17-14 (#2)

7-18-14 (#1)

7-18-14 (#2)

Perhaps there will be more.

Wednesday, July 16, 2014

of fish, birds, circles and scraps...

Faced with a clean desk and an absence of red & purple, I sat down to make Saturday's index card and had zero ideas.

There was some random smearing of paint and half-hearted stamping of circles, but then the littlest circles started looking like bubbles, and I went scurrying off for suitable imagery.  Mandy is right, everything does look better with a fish on it.


This one started out as the card where I 'd removed the extra paint from my circle stamps the day before.   I pulled out some markers and colored in all the little intersecting spaces.  It pleases me more than I thought it would. 

A corollary to the above fish theory involves birds...

Thank goodness for a well-stocked scrap basket.  I got home late last night from an evening of art, wine and conversation and nearly forgot to make my card.
A pre-painted background and some pleasing scraps had me done and in bed within 5 minutes.
It's been really hot and sticky in the art room, and if not for ICAD I probably wouldn't be in there at all.  As always, I am eternally grateful to Tammy for leading this challenge every summer and fueling my creativity in all kinds of weather.

Friday, July 11, 2014

Working in series....yeah...that's what I'm doing....

For the last few days I've been using a lot of black, white, red and purple.  I'd like to say there was a grand plan, but in truth, the series springs from not cleaning my desk at all this week.  I sit down at night to make an index card and all of yesterday's (and the day before's) paint and scraps are still scattered about.  I could probably invent some profound artist's statement about the meaning of my new series, but really it's a series about being too lazy to reach for a different color.





I got a little crazy on this one and introduced teal (but only because I found an index card that already had teal paint on it.)
7-9-14 (#2)

I was right back to the black, white, red & purple the next day.
7-10-14 (#1)

7-10-14 (#2)

7-10-14 (#3)
This is what my desk looked like when I sat down to make my card tonight:
It's a miracle I made anything at all

As of this writing, order (or what passes for it in my house) has been restored.

I wonder what tomorrow's card will look like?

Thursday, July 10, 2014

Another Round Robin

I recently started a collaborative art journal round robin with four friends, because being part of one round robin wasn't enough pressure, I needed more art deadlines in my life.  (and no sooner was this group up and running when a different friend asked me if I'd be willing to host a round robin.  I wisely said no to that one, but not after thinking for about an hour that SURE, I could handle working in three different art journals every month. My sanity was quickly restored.)

For Round Robin #2, I'm altering a book from 1955 called "The Boy Scientist." 

 This is the inside cover:

Since the intention of the group is to add to and alter one another's work, a lot of my pages are just beginnings, or invitations to play.

The book has some terrific illustrations that I'm hoping my clever friends will incorporate into their work.

This page uses an aborted ICAD, it's glued into my book with the end sticking out like a little tab:

 I decided to get interactive on the next spreads.  The page on the right has a large circle cut out of it.

Here's what it looks like when you turn the page:

 This one got a little random...

 Naturally I couldn't resist a stamp head.
Harry Truman never looked lovelier.
I wonder if Bess knew he liked to wear ball gowns?

These last two could stand on their own as finished pages, but I'm not opposed to the creative alterations from my talented (and equally silly) friends.

Finally, here's the cover of the book:

I used layers of paint and tissue paper, and the  tissue paper left all those nice raised wrinkles.  I dragged a blue oil pastel across the surface to highlight the wrinkles.  Hopefully the group will create some collaborative art on it.

I now have two journals in my possession, from two different artists, from two different groups, and they both need to in the mail by August 1st.
Time to start collaborating!